artist british
The Beatles
1960–1970 · Liverpool
Liverpool's beat group who turned rock 'n' roll fandom into modern pop authorship, then made the studio and album central to rock's future.
The Beatles began as rock ‘n’ roll students: Chuck Berry, Little Richard, Buddy Holly, Motown, girl groups, country, show tunes, whatever could survive a long night in Liverpool or Hamburg. John Lennon, Paul McCartney, George Harrison and Ringo Starr turned that apprenticeship into a songwriting unit with unusual speed and range.
Their early records define Merseybeat and power the British Invasion. By the middle of the decade they had also changed the job description of a rock band: write the songs, shape the arrangements, use the studio as an instrument, and make albums that listeners treated as works rather than containers for singles.
Their importance in this graph is connective. Through them, rock ‘n’ roll, Merseybeat, British Invasion pop, psychedelia, folk-rock influence and later album rock all touch.
Part of
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British Invasion
genreBritish guitar groups returned American blues and rock 'n' roll to the US charts as a new pop language: Beatles melody, Stones grit, mod attack.
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Merseybeat
genreLiverpool's guitar-group boom: American rock 'n' roll, girl-group harmonies and hard club apprenticeship condensed into bright, urgent beat music.
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Psychedelic Rock
genreRock turned inward and hallucinatory: studio experiment, modal jams, drones, feedback and surreal lyric worlds reshaped the pop song.
Sources
- Tune In: The Beatles: All These Years, Volume 1 — Mark Lewisohn (2013). Crown Archetype · Book
- The Beatles Anthology — The Beatles (2000). Chronicle Books · Book
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