genre british

Blues Rock

late 1960s · London / Chicago / San Francisco

Electric blues stretched to rock volume: riffs, solos and amplifiers turned Chicago forms into the core grammar of late-1960s rock.

Blues rock is where the blues revival stopped behaving like preservation and started behaving like escalation. The material was familiar: twelve-bar forms, Chicago riffs, Chess and Vee-Jay records, Robert Johnson mythology. The presentation changed: bigger amplifiers, longer solos, heavier drums, young rock audiences, and bands that treated the electric guitarist as the dramatic center of the stage.

The Yardbirds are the hinge. Eric Clapton guarded blues orthodoxy, Jeff Beck pulled the sound toward feedback and experiment, and Jimmy Page carried the line into Led Zeppelin. Hendrix, arriving in London from the American chitlin’ circuit and Greenwich Village, made the blues simultaneously more physical and more cosmic.

Within the graph, blues rock grows directly from British blues but points beyond it. Hard rock and heavy metal inherit its volume and riff logic; psychedelic rock inherits some of its loosened form and guitar exploration.

Connections

Roots, siblings & influences

What grew from it

Key artists

Sources

  1. Life — Keith Richards with James Fox (2010). Little, Brown and Company · Book
  2. Led Zeppelin: The Oral History of the World's Greatest Rock Band — Barney Hoskyns (2012). Wiley · Book
  3. Jimi Hendrix: Setting the Record Straight — John McDermott and Eddie Kramer with Billy Cox (1992). Warner Books · Book
  4. Rock and roll ↗ . Encyclopædia Britannica · Encyclopedia

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